
New York bears a striking similarity to KHUDA KAY LIYE.Fact: Nope. KHUDA KAY LIYE and New York may belong to the same family, of an innocent person being picked up for questioning after the WTC catastrophe, but the similarities end there. In fact, KHUDA KAY LIYE and New York are as diverse as chalk and cheese. New York, helmed by Kabir Khan, attempts to be as real as possible. A tale of friendship, with terrorism as the wallpaper, New York hits you like a ton of bricks at several points in the narrative. In fact, there was a possibility that New York may turn out to be a dry experience, a documentary perhaps, but the drama is so well structured and so gripping that you get sucked into the world of Sam, Omar and Maya from its inception. New York is a triumph for Kabir Khan, who deserves distinction marks for handling the subject with remarkable maturity. Also, this film should be a turning point for John, Katrina and Neil. More on that later...The verdict? New York is, without doubt, one of the finest films produced by this premier production house, Yash Raj.
The post-interval starts with a bang, with Akshay hearing the 'Om Mangalam' chant just about everywhere -- while sleeping, in the shower, in the rest room, even at an award function. The award function sequence is a double whammy. You get to watch Stallone and also the scene is superbly structured, executed and enacted.Things are smooth sailing till the emotional angle comes up. The narrative dips in those 20 odd minutes. The mood suddenly shifts from laughter to sadness.The makers may argue that a twist in the tale is justified from the writing point of view, since the emotional track is vital for any love story, but the fact remains that one does miss the entertainment quotient here. In fact, the dip in the second hour erodes, to a large extent, the impression that the first half had built so magnificently.

Kareena left an indelible impression in JAB WE MET and creates a similar impact, albeit in a different role. Clearly, she is miles ahead of her contemporaries as far as talent goes and this film proves it yet again. Aftab and Amrita are perfect for their parts. Vindu Singh supports well. Javed Jaffrey doesn't make a mark because the role has no connection with the main plot. Kirron Kher is getting typecast. Boman Irani is hilarious in that lone sequence. Stallone, Brandon Routh and Denise Richards are well integrated in the narrative.On the whole, Kambakkht Ishq will strike a chord with the youth and those who relish zany and madcap entertainers. The first half is tremendous, while the second half takes a dip, with the film picking up towards the climax. At the box-office, the film will see an earth-shattering opening weekend and a historic Week 1. It remains to be seen how this film fares in its second weekend/week, given the massive number of screens it has opened globally [2,000 +]. However, the timing is most appropriate [the viewer is thirsting for a biggie] and the hype is tremendous, which should prove very advantageous for the film.
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